those that are trained


About a week-and-a-half ago, I took the plunge into ensuring my ukulele kung fu legacy by posting an ad to Craigslist, Milwaukee offering “Guitar, ukulele, mandolin lessons” at what are, I must say, very reasonable rates. I have received a smattering of replies, but so far nothing definite (though I have been busy learning Hannah Montana’s “Fly on the Wall” in preparation for one possibility).

If you’re in Milwaukee, and want to learn to play the Viper way*, give me a ring. Here’s the text of the ad, as I just reposted it earlier this afternoon. As you’ll see, I tempt would-be students with free mp3 samples of my playing in action. Feel free to sample yourself!

GUITAR, UKULELE, MANDOLIN LESSONS

Do you play a stringed instrument? Want to?

Challenge your playing by working with a teacher who can draw on more than 25 years of professional performance experience in rock, country, traditional jazz, bluegrass, jug, and other old time styles.

I can help you develop your skills and a broader sense of music theory on acoustic or electric guitar, ukulele, mandolin or, really, any instrument that you can pluck or strum. (And some you can’t — I’ve provided audio examples of my playing on various instruments below.)

I am willing to teach all levels, but am especially suited to working with intermediate-level musicians seeking to become competent on unfamiliar instruments or in unfamiliar styles (e.g., are you a metal shredder who wants to play in a traditional bluegrass band?). I can also help you learn to better accompany yourself as a singer or songwriter.

My rates are $20 for a half-hour session, $30 for an hour, or $45 for sessions up to two hours long. I am located in the Washington Heights neighborhood of Milwaukee, and am willing (within reason) to travel to meet you. Call me at 414-231-3148 and stop letting that instrument collect dust.

EXAMPLES OF MY PLAYING VARIOUS INSTRUMENTS / STYLES

Feel free to right-click and download any of these mp3 files.

  • Mandolin – “Heyse Latke Kalte Latke” / “Jerusalem Ridge”

    This is a klezmer original semi-instrumental paired with a bluegrass standard by Bill Monroe. You’re hearing me play the lead on a Turkish-manufactured mandolin with a banjo body. The band I’m playing with is Maryland’s own Paint Branch Ramblers, caught in rehearsal.

  • Baritone ukulele – “Pennies from Heaven”

    Solo instrumental performance in a kind of cocktail-bar-jazz style on this pop standard. A baritone ukulele is tuned like the top four strings of a guitar (D-G-B-E) and learning how to play it is a relatively painless transition for most guitarists.

  • Electric guitar, baritone ukulele, and yodeling – “Last Call Waltz”

    Another original semi-instrumental in a loose honky-tonk waltz style. Wait for the bridge to hear the electric guitar (about halfway through). And, yes, I can teach you how to yodel. The band is an Illinois supergroup drawn from members of Tangleweed, the Kennett Brothers, the Corn Likkers, and the Viper and His Famous Orchestra.

  • Banjo ukulele and jug – “Everybody’s Truckin’”

    Ukulele accompaniment (and some singing in the middle – that’s me on the hi-de-hos) on this traditional jazz / western swing standard. Listen for the uke, jug, and comb trio in the middle, brought to you by the magic of multi-track recording. The band is the Paint Branch Ramblers.

* Incidentally, this way of framing my pitch (not the one I use in the ad itself) is taken from a famous accordion teacher in Madison, Wisconsin, on whose estate sale I worked as a young handyman for the Bethel Resale Shop in the early 1990s. His name was Rudy Burkhalter, and along with the dozens of accordions he left behind, there were piles and piles of flyers featuring a bespectacled, crew-cutted, pre-teen with a piano accordion and the invitiation to “Learn to Play the Burkhalter Way.”

I just looked him up, and it appears that there is still an annual “Rudy Burkhalter Memorial Accordion Jamboree,” last spotted at the Oregon High School Performing Arts Center in Oregon, Wisconsin (just outside of Madison). As this site notes:

Rudy Burkhalter (1911 – 1994), an immigrant from Basel, Switzerland and the upper Midwest’s foremost Swiss-American traditional musician, opened an accordion school in 1938 with his wife, Frances, teaching throughout south-central Wisconsin. Once a week, the two would travel to Monroe, New Glarus, Darlington, Dodgeville, Watertown, Beaver Dam, Richland Center, Reedsburg and Baraboo, advertising two months of free lessons as well as furnishing the accordion. Eventually teaching up to 500 students per week, with classes of 20 to 40 students, countless people in Green County learned to play the instrument.

I just discovered the following unpublished post among my draft list for this blog. It’s possible that this was published in some other form last Spring on this site, but I’m too lazy to look. It features some rare audio footage from a late 1990s Champaign-Urbana supergroup, so it’s worth reposting in any case. Afiyet olsun!

ORIGINAL POST FROM FEB. 2008

For Viper, Tangleweed, Kennett Brothers, or Edward Burch completionists, I’ll call your attention to a video I just posted to YouTube designed to show the students in our first-year writing program what a poster session is. The footage was shot by my colleague Phil Troutman during the 2006 University Writing and Research Symposium at The George Washington University, which is an event in which I’ve played a lead role for the past four years (you’ll see me briefly in the hand-gesture-montage portion of the video near the end).

More to the point, the soundtrack is taken from one of the tracks that Kenneth Rainey, Edward Burch, and I (along with bassist Dave Wesley) recorded a number of years ago during a day of studio-composing material for a never-to-materialize fishing show aimed at the Norwegian television market. My peeps!

You can read more about these sessions (and download an MP3 of the song) over at the Tangleweed blog. In my files, I’d always just called this tune “Fishin’,” but I am reminded by Kip’s account that it was/is, in fact, called “Hank’s Fishin’ Song” — “Hankie” Kennett being Kip’s moniker with the Kennett Brothers. For the video, I stretched out the tune’s 48 seconds by cutting and pasting so that bars 9-24 repeat.

Apropos of absolutely nothing, here’s something I stumbled across in my files today. It’s a note I wrote to the graduating class of the Department of American Culture and Literature at Bilkent University in Ankara, Turkey in the Spring of 2002, just as I myself was getting ready to wrap my time up there and head for the more Indiana limestoney pastures of Washington, D.C. I don’t remember distributing this, but I’m going to assume it was just a quick email I put together and sent out.

Now that I’m getting ready to leave D.C. for the more golden pilsnery pastures of Milwaukee, WI it seems fitting to reprint this here:

To the graduating class of 2002:

As Bob Wills and the Texas Playboys once sang:

I’d a’ been married thirty years ago
If it hadn’t been for knock-kneed cotton-eyed Joe.

That has absolutely nothing to do with anything, but I hope it’s inspiring to you anyway.  And here’s a few other hopes: I hope that your time here at Bilkent hasn’t been easy.  I hope that you feel like you know less about literature and culture than you thought you knew when you started.  I hope all of you get a chance to see America firsthand someday.  I hope all of you stay as idealistic, unselfish, and fresh as you have been in the time I’ve known you.  And I hope we’ll all meet again bye and bye.  Until we do, here’s to a surprising future.  Give ‘em heck, 2002!

Sincerely, yer ever-lovin’
Ryan Jerving