All posts by Ryan Jerving

Ryan Jerving lives in Milwaukee, WI, works as a data analyst, and plays and teaches music.

Doc Watson

Guitar great Doc Watson passed away earlier this week. I’ve stolen a lot from him. Well, one thing. But it’s a good one.

When I play guitar or ukulele using my fingers to pick instead of strum, I use a basic Piedmont-esque / Merle Travis style that I learned from Watson via an instructional VHS tape I checked out from the Long Branch Public Library in Silver Spring, Maryland in 2002, and which I now see is a Smithsonian Folkways video still available on DVD called Doc’s Guitar: Fingerpicking & Flatpicking.

Specifically, I stole the first bit he teaches/plays on that video: “Deep River Blues.” Below, you can see me doing trying to do this bit  — same key (E), same diminished chord (G dim), same neck position and everything — as The Viper and His Second String perform the Neil Young song “Vampire Blues” (shot and uploaded to YouTube by Sue Peacock earlier this year — that’s birthday boy John Peacock you’ll see taking the suitcase solo in the middle). [Need to track down a copy of this video – It’s gone!]


from http://youtu.be/LpwrXyigmX8

And now here’s Doc Watson doing the same thing but better on “Deep River Blues.”


from Doc Watson performs “Deep River Blues” in the DVD “Doc’s Guitar: Fingerpicking & Flatpicking,” Smithsonian Folkways, Published on Jul 13, 2010

Great stuff. And now you can learn how to do it too!

Wisconsin Mardi Gras (scheduled for June 5th this year)

On June 5, 2012, Wisconsin will be voting in an historic recall of our current governor, Scott Walker (among others). As a union kind of guy and as a parent of a Milwauke Public Schools student, I present this song which, rather elliptically, makes the case for giving Walker his walking papers and electing Milwaukee mayor (and Washington Heights neighbor) Tom Barrett in his place. Info on the song after the video.

MUSICALLY: What you’re seeing in this recording is the first song I’ve written on piano and, really, my first public performance on the ivory/ebony 88’s. That’s why I look so terrified for so much of the song. Late last year, we inherited a free piano from someone looking to unload it. So by February of this year I decided I was going to learn to actually play something on it. With it being Mardi Gras season and all, I decided that that something was going to be the New Orleans style associated with Professor Longhair — a habanera rhythm on the left hand; 8-to-thebar, “crush” grace notes, and falling arpeggios on the right hand.

The music for this song is basically the result of that: a swiping of “Tipitina,” “Big Chief,” and “Hey, Little Girl” (with some of Louis Jordan’s “Early in the Morning” and Ray Charles’s “Mess Around” around the edges).

VISUALLY: I set up the camera to try to make it look like the way Fats Domino was filmed in the 33 1/3 Revolutions per Monkee television variety special from 1969. I definitely succeeded in the Fats part, belly-wise. You also see me sporting my new Mahlon Mitchell button — free from the Tom Barrett rally with Bill Clinton I’d gone to earlier in the day at Pere Marquette park in downtown Milwaukee.

LYRICALLY: It goes like this (some of which I flub in the version I filmed — like I said, I was terrified and just holding on for dear life):

Don’t let the good times roll
Good times roll too slow
And it might take a push or a shove
To make the bad times go

So let the talkers talk
And let the walkers walk
And if they need a push or a shove, shove with love
And let the bad times roll

There’s a way to tell the story
So that it turns out right
Don’t let the good times flow
They flow too slow
Baby, let the bad times roll.

So tell your Ma and your Pa
Wisconsin Mardi Gras
Is scheduled for June 5th this year
Tout le monde, chantez-les bas

And let the talkers talk
Let’s let the walkers walk
And if they need a push or a shove, shove with love
And let the bad times roll

All y’all can sing it with me:
“Laissez les mal temps roulez
And if you still can recall, the thrill of it all
Baby, let the bad times roll.

…and it’s true. Like Frederick Douglass said: good times don’t just roll — sometimes they need a push or a shove. So let’s get out there and shove (with love).

Let me clear my throat…

More Beasties and now also some Davy Jones memorial material from The Viper, this one from 2008 when I was testing out Audacity sound editing software for the first time.

download here

The Monkees HeadquartersAs I wrote when I posted this the first time,

It’s the Monkees meets The Music Man meets “Revolution #9” meets Licensed to Ill. Which, all told, just may be the Viper’s Rosetta Stone.

Dropping science (dropping it all over)

The Viper and His Famous Orchestra performing The Beastie Boys’ “Rhymin’ and Stealin'” in the upstairs of the Channing-Murray Foundation in Urbana, Illinois in the Year 2000. I think this took place in July, shortly before I moved from Champaign to Turkey (we do a song in Turkish elsewhere in the set), and I think we were playing as part of a benefit.

click here to download the mp3

The instrumentation was sparse — no ukulele (I played the egg shaker — and eggs come from a chicken, not a bunny, dummy!). Just bass, trombone, and suitcase, and mostly just in the breaks. This was, I think, so we could roam as we spit. Most of the Adam Yauch lines seem to handled by Riley Broach, vocalizing with appropriate gruffness.

The show was recorded on a handheld analog tape recorder — I believe just through the built in mic — by Brad Allen. You can hear a little device-on-lap noise at the beginning. In digitizing it, I did a little bit of equalizing to cut out volume spikes but I didn’t otherwise  alter the original recording.

Shortlink: http://wp.me/p30LK-h9

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Announcing Viper shows for Fall 2011

Great day in the morning!  The Viper AND His Famous Orchestra will be tearing up large swaths of the Illinois cosmopolis and hinterland over the next few months.

Here’s what we know about so far:

PRF Auktoberfyst 2011
Saturday, October 1, 4:00 p.m.
Klas’ Restaurant, Cicero, IL
http://www.prfbbq.com/prf-auktoberfyst-2011-schedule-1625
…or say you’ll be there on Facebook.

The Viper and His Famous Orchestra are the first band of an all-day program on the last day of a three-day festival. My friend Faiz (who helped set up the show, and will be rocking there as well) says that Klas’ is a very cool place to play — an old Czech restaurant that he describes as like “playing inside a cuckoo clock.” Let’s polka!

Third Annual Champaign-Urbana Folk & Roots Festival
Saturday, November 5, 11:30 p.m.
The Iron Post, Urbana, IL
http://folkandroots.org

The Viper and His Famous Orchestra stay up LATE for this one (I’d forgotten there was an 11:30 in the p.m., too) to bring you all the music that’s fit to folk. I’ll also be doing a songwriting workshop earlier in the day, called “How to Steal a Song,” about which I’ll have more to announce as the time draws near.

Prairie Breezes Mini-Concerts for Kids
Friday, December 16, 4:15 p.m.
The Urbana Free Library, Urbana, IL
http://www.urbanafreelibrary.org/about/news/#bre

Burdened with four strings and the truth, The Viper brings his ukulele and his Famous Orchestra to the Urbana Free Library for an interactive show of kid-tested, grown-up-approved music and mayhem. Learn to play The Viper way on washtubs, suitcases, and other repurposed household materials, and sing along as the 4-piece Orchestra performs a unique blend of street-corner jazz, meeting-hall folk, and front-porch country.

 

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