The Other Hanlon Girl

Here’s a little piece I wrote a couple days ago that I’m calling “The Other Hanlon Girl.”


to download scratch track

Like most things I write, this came about as a consequence of trying to learn how to play something else. That something else in this case was “Ham Beats All Meat,” an old time song concerned with class warfare and how to eat it. Nothing should be read into the thought process that brought me from the existing song to this newly composed tribute to my lovely wife, Ann, and her sisters Katie and Mary.

Play along!

Chords

D / | / / | G / | / / |
D / | / / | A7 / | / / |
D / | / / | G / | / / |
D / | A7 / | D / | / / |

D / | / / | C / | G / |
D / | / / | G / | A7 / |
D / | / / | C / | G / |
D / A7 / | D / | / / |

Learn to play the Viper way

About a week-and-a-half ago, I took the plunge into ensuring my ukulele kung fu legacy by posting an ad to Craigslist, Milwaukee offering “Guitar, ukulele, mandolin lessons” at what are, I must say, very reasonable rates. I have received a smattering of replies, but so far nothing definite (though I have been busy learning Hannah Montana’s “Fly on the Wall” in preparation for one possibility).

If you’re in Milwaukee, and want to learn to play the Viper way*, give me a ring. Here’s the text of the ad, as I just reposted it earlier this afternoon. As you’ll see, I tempt would-be students with free mp3 samples of my playing in action. Feel free to sample yourself!

GUITAR, UKULELE, MANDOLIN LESSONS

Do you play a stringed instrument? Want to?

Challenge your playing by working with a teacher who can draw on more than 25 years of professional performance experience in rock, country, traditional jazz, bluegrass, jug, and other old time styles.

I can help you develop your skills and a broader sense of music theory on acoustic or electric guitar, ukulele, mandolin or, really, any instrument that you can pluck or strum. (And some you can’t — I’ve provided audio examples of my playing on various instruments below.)

I am willing to teach all levels, but am especially suited to working with intermediate-level musicians seeking to become competent on unfamiliar instruments or in unfamiliar styles (e.g., are you a metal shredder who wants to play in a traditional bluegrass band?). I can also help you learn to better accompany yourself as a singer or songwriter.

My rates are $20 for a half-hour session, $30 for an hour, or $45 for sessions up to two hours long. I am located in the Washington Heights neighborhood of Milwaukee, and am willing (within reason) to travel to meet you. Call me at 414-231-3148 and stop letting that instrument collect dust.

EXAMPLES OF MY PLAYING VARIOUS INSTRUMENTS / STYLES

Feel free to right-click and download any of these mp3 files.

  • Mandolin – “Heyse Latke Kalte Latke” / “Jerusalem Ridge”This is a klezmer original semi-instrumental paired with a bluegrass standard by Bill Monroe. You’re hearing me play the lead on a Turkish-manufactured mandolin with a banjo body. The band I’m playing with is Maryland’s own Paint Branch Ramblers, caught in rehearsal.
  • Baritone ukulele – “Pennies from Heaven”Solo instrumental performance in a kind of cocktail-bar-jazz style on this pop standard. A baritone ukulele is tuned like the top four strings of a guitar (D-G-B-E) and learning how to play it is a relatively painless transition for most guitarists.
  • Electric guitar, baritone ukulele, and yodeling – “Last Call Waltz”Another original semi-instrumental in a loose honky-tonk waltz style. Wait for the bridge to hear the electric guitar (about halfway through). And, yes, I can teach you how to yodel. The band is an Illinois supergroup drawn from members of Tangleweed, the Kennett Brothers, the Corn Likkers, and the Viper and His Famous Orchestra.
  • Banjo ukulele and jug – “Everybody’s Truckin'”Ukulele accompaniment (and some singing in the middle – that’s me on the hi-de-hos) on this traditional jazz / western swing standard. Listen for the uke, jug, and comb trio in the middle, brought to you by the magic of multi-track recording. The band is the Paint Branch Ramblers.

* Incidentally, this way of framing my pitch (not the one I use in the ad itself) is taken from a famous accordion teacher in Madison, Wisconsin, on whose estate sale I worked as a young handyman for the Bethel Resale Shop in the early 1990s. His name was Rudy Burkhalter, and along with the dozens of accordions he left behind, there were piles and piles of flyers featuring a bespectacled, crew-cutted, pre-teen with a piano accordion and the invitiation to “Learn to Play the Burkhalter Way.”

I just looked him up, and it appears that there is still an annual “Rudy Burkhalter Memorial Accordion Jamboree,” last spotted at the Oregon High School Performing Arts Center in Oregon, Wisconsin (just outside of Madison). As this site notes:

Rudy Burkhalter (1911 – 1994), an immigrant from Basel, Switzerland and the upper Midwest’s foremost Swiss-American traditional musician, opened an accordion school in 1938 with his wife, Frances, teaching throughout south-central Wisconsin. Once a week, the two would travel to Monroe, New Glarus, Darlington, Dodgeville, Watertown, Beaver Dam, Richland Center, Reedsburg and Baraboo, advertising two months of free lessons as well as furnishing the accordion. Eventually teaching up to 500 students per week, with classes of 20 to 40 students, countless people in Green County learned to play the instrument.

Alone again, naturally

Last month, I relocated to Milwaukee from the Washington, D.C. area. Surprisingly, given the rare gift of unemployment I’ve been enjoying, this is my first post-move post.

Or not so surprising, since I’m not yet making music with anyone here. That’s not untypical for me. It took me two years in Champaign-Urbana, Illinois to first play out as the Viper act. And four years in Maryland to luck into the Paint Branch Ramblers. I never really got anything together during my two years in Turkey, apart from one two-song set at the Faculty Club Christmas talent show (I played “The Lawson Family Murder,” and “Daddy’s Drinking Up Our Christmas”), and one faculty party at which I played/sang “Too Much Heaven On Their Minds” from Jesus Christ Superstar on a borrowed saz.

In any case, it’s always a good opportunity to let the barrel fill itself back up. So to celebrate my refound love of self, here’s a solo recording of the Viper playing “Pennies from Heaven,” taken from the Everything for Everyone CD.

download “Pennies from Heaven” as an mp3

As far as I can remember, this was recorded in a single take using just the room mic we’d set up to get “coverage” sound of the whole band. Jay Bennett is doing the engineering/producing.

That stuff you don’t recognize at the beginning is the verse of this 1936 Johnny Burke and Arthur Johnston standard. You don’t hear the verse much. But Vernel Bagneris lip synchs to the 1937 Arthur Tracy recording of it in the great 1981 film of Pennies from Heaven. And Steve Martin actually sings it at the end of the movie, just before he’s hung. I learned it — since I’d never heard it anyhere else — by rewinding these two scenes over and over.

It’s a nice little piece, and here’s the lyrics if you want to sing along:

A long time ago, a million years B.C.
The best things in life were absolutely free
But no one appreciated a sky that was always blue
And no one congratulated a moon that was always new
So it was planned that they would vanish now and then
And you must pay before you get them back again
That’s what storms were made for
And you shouldn’t be afraid, for…

Every time it rains, it rains pennies from heaven
Don’t you know each cloud contains pennies from heaven
You’ll find your fortune falling all over town
Be sure that your umbrella is upside down
Trade them for a package of sunshine and flowers
If you want the things you love, you must have showers
So when you hear it raining, don’t run under a tree
There’ll be pennies from heaven for you…
Pennies from heaven for me…
Pennies from heaven for you and me

From the archives…

I just discovered the following unpublished post among my draft list for this blog. It’s possible that this was published in some other form last Spring on this site, but I’m too lazy to look. It features some rare audio footage from a late 1990s Champaign-Urbana supergroup, so it’s worth reposting in any case. Afiyet olsun!

ORIGINAL POST FROM FEB. 2008

For Viper, Tangleweed, Kennett Brothers, or Edward Burch completionists, I’ll call your attention to a video I just posted to YouTube designed to show the students in our first-year writing program what a poster session is. The footage was shot by my colleague Phil Troutman during the 2006 University Writing and Research Symposium at The George Washington University, which is an event in which I’ve played a lead role for the past four years (you’ll see me briefly in the hand-gesture-montage portion of the video near the end).

More to the point, the soundtrack is taken from one of the tracks that Kenneth Rainey, Edward Burch, and I (along with bassist Dave Wesley) recorded a number of years ago during a day of studio-composing material for a never-to-materialize fishing show aimed at the Norwegian television market. My peeps!

You can read more about these sessions (and download an MP3 of the song) over at the Tangleweed blog. In my files, I’d always just called this tune “Fishin’,” but I am reminded by Kip’s account that it was/is, in fact, called “Hank’s Fishin’ Song” — “Hankie” Kennett being Kip’s moniker with the Kennett Brothers. For the video, I stretched out the tune’s 48 seconds by cutting and pasting so that bars 9-24 repeat.

Hanukkah with the Viper pt. 8

And finally, after 1, 2, 3, 4, 5, 6, and 7 nights of Viper-style gelt, let’s close out the 8th night of Hanukkah with the freshest of all the latkes I have to offer. This is a recording of just the vocal section of “Heyse Latke Kalte Latke” so you can really sing along with the lyrics (and see the posting from December 22 for those).

download mp3

What you’re hearing is me with my five-dollar nylon string guitar, bought at the same estate sale in Riverdale, Maryland at which my wife and I found a Lyndon B. Johnson dart board (well pock-marked with use) and a oil-painted self-portrait of someone named Bertha Myrna in a jester’s outfit who we assume was at one time the owner of both the aforementioned items.

I’m recording this on a single mic through the Line 6 TonePort UX2, with the Gear Box on one of the guitar amp settings (I like the effect of that, as you can also hear here).

And thus ends 8 pre-programmed nights of Hanukkah. As it turns out, I wrote all of these posts on the weekend of December 20-21 right before I left Maryland. In fact, packing up this computer will be the last thing I do after I get back from closing out our bank accounts and dropping some clothing off at Value Village. I like the thought of these posts lining up and jumping out at their pre-arranged time as I’m driving through or by Frederick, Breezewood, Akron, Toledo, South Bend, Hammond, Waukegan, and Kenosha before I finally get to Milwaukee where I’ll give my wife and daughter a big hug and kiss and unpack the car for good after this ridiculous semester of living 792 miles away from them. So happy Hanukkah, and wherever this may find you, give someone you love a smooch from me.

the kind of music your great-great-great-grandparents warned your great-great-grandparents about